Some of the problematic 808s that I get are too ‘ticky’ or ‘clicky’ on the front end. Got 808 tips of your own? Posted on October 14, 2014 by Samples From Mars . A C6 multiband compressor can help you dip a frequency in your 808 to make room for the kick. are great for this because they use threshold-triggered saturation to create exciting, dynamic 808s. I know, I know – you're saying, how is that possible? This will help make space for the 808 in the mix and create separation between the instruments. . After locking in the proper tuning, make sure the timing of your 808 is just as tight. But if you have a high workload, you will come across all types of 808s, from a simple, clean, beautiful sine wave, to an 808 sampled from an mp3 that was time stretched and processed to sleep.So, the tools I use depend on which 808s I get. Assign the new Aux send as the key input of the compressor. Since an 808 is just a sine wave, it has a root frequency, which means it can be tuned. You don’t need a ton of compression, just enough to help shape the initial transient. Start with all your faders down. If you do this, make sure that you join the transient to the body at a zero crossing and in context with the pitch movement of the body at the join.If you want to shape the sound of a kick drum or 808 in even more detail, you can zoom in a wave editor and cut-and-copy individual frequency cycles. It’s difficult to beef up the sustain of the drums without also rounding out the attack, particularly on a group buss. around 8 kHz. Or they can sound boomy and muddy, making it difficult to hear the vocals. There are various ways to get your 808s sounding big and powerful. 808 Hat Softener – PuigTec EQP-1AThe old boost-and-cut trick – but only on the top end, which does wonders for more laid-back electronic tracks. You can create or exaggerate these harmonics using distortion; but a more precise way to do it is to use the Cobalt Saphira harmonics shaping plugin to enhance odd and even harmonics, which can help shape the tone of the body of an 808. But when an 808 is in bad shape I need to use several plugs. But when applying a single-band mastering limiter to get final level up to commercial standards, the 808 bass can get crushed and often sound floppy and distorted.My solution is to use the L3-16 Multimaximizer multiband limiter and increase the ‘priority’ setting on the low-frequency band.This enables the 808 bass to rumble through, all the way down to the sub frequencies, while bringing up the track level by shifting the limiting to other frequencies.Here’s what my settings might look like for mastering a song with an 808 bass line: Here’s my normal process for processing 808s: (Dr. Dre, Beyoncé, Kendrick Lamar, Eminem). You may find this content helpful: To be able to view it. Follow these simple steps and you’ll be on your way to mixing beats with banging 808s in no-time. If it’s the giant drop after a buildup in the bridge, you can bet I’m gonna make that thing long and huge. Ideally, you can tune it to the root note of the key, although that isn’t always possible. Multiband distortion processors like are great for enriching 808s, as they can be sued to dial in different styles and amounts of compression based on the frequency range. I used to use them instead of bass lines for a while, but then I started to figure out how to combine them with the bass lines. I will also sometimes get rid of some of the very low frequencies, 0-25 Hz, if I don’t intend to use them. 808 Chunky Sub Bass – PuigTec MEQ-5Provides some clarity in your chunky sub bass lines. I often replace the transient audio with a piece of pink noise I’ve made in a synth. A conservative 808 would be a count of Boom, 2,3,4, out…, whereas a long one could be Booooommm 2, 3, 4, 2, 2, 3, 4.