“The curators came and could visualise the works in a museum. Among the stands of Maureen Paley, Karsten Schubert and Jay Jopling, “I really sensed this collegial atmosphere”, says Jacques. I just kept knocking on the door intermittently over the next six months. Dorothea Tanning was 100. 1927. It wasn’t until she made the body of work when she was dying from lymphoma, of photographs of herself bloated and losing her hair, that people accepted her.” The gallery was the first in Europe to hold a solo exhibition of Wilke’s work. “I just remember it was a sea of colour and texture. Skip to content The Foundation He could be difficult but he was absolutely the real deal.” She began as a press officer, but was encouraged by Waddington to sell. Thanks to her, many previously under-the-radar artists are being given major international shows, including Brazilian painter and installation artist Lygia Clark at the Guggenheim Bilbao this autumn; textural artist Sheila Hicks at the Hepworth Wakefield next year; and Slovakian sculptor Maria Bartuszová at Tate Modern next November. Studies sculpture with Alexander Archipenko, drawing with Laszlo Moholy-Nagy, drawing and watercolor painting with Emerson Woelffer, weaving with Marli Ehrman, Further studies with Archipenko in Chicago and at his studio in Woodstock, NY, Lives in Paris and travels extensively throughout Europe and North Africa, Studies tapestry with Martta Taipale at Penland School of Crafts, Penland, NC, Travels throughout Greece and Near East to Lebanon, Jordan, Syria, and Egypt, Tapestry commissioned by Marshall Field, North Shore Shopping Center, ChicagoMember, textile design panel, American Craftsmen’s Council’s (now American Craft Council) First National Conference of Craftsmen, Asilomar, CA, Commissioned by the Interchurch Center to create a large tapestry for the narthex of the chapel in its new building on Riverside Drive, New York, Studies gauze weave with Lili Blumenau; explores gauze-weave techniques, Designs an “open reed” for her loom, allowing the shape of the works to change as they are woven. One of the most important South American abstract artists to emerge in the 1950s, Clark had not shown extensively outside Brazil, partly due to complicated terms with purchasing and export. And the message, which is always fugitive, hides beneath a flexible technique… Maria Bartuszová, for example, is a Slovakian artist who, during her lifetime, made distinctive, organic-looking white plaster sculptures, which currently sell for between €65,000 and €700,000. From the start, she set an ambitious programme, selling out her first show of Jack Pierson sculptures at £65,000 per work. But that is set to change with Bartuszová’s Tate Modern show – originally scheduled for this November, but delayed by a year. There was something in the air. She wasn’t looking for a gallery. 1927. Jacques’s mix of instinct, opportunism and luck has deep roots. Jacques maintains that her focus is talent rather than gender. At the time, the American photographic artist was not being shown in museums. She was too beautiful. But if you really want something and you search for it, you will find someone, somewhere who can put you in touch with someone else who opens a door,” Jacques says of her experience. “There is a formula. It starts with my passion and belief in the work. “It was fun. “A tiny stained-glass painting. “Wilke had had a rough ride even from her contemporaries in the ’70s. I remember thinking, I’d like to have my own gallery one day.”, The female gallerists in London – Maureen Paley, Victoria Miro and Sadie Coles – were a strong inspiration, alongside New York pioneers such as Barbara Gladstone, Marian Goodman and Paula Cooper.
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