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audix om5 frequency response

Audix OM5. The low frequency response is attenuated below 120 Hz to reduce boominess and handling noise. By selecting either subscription option, you are consenting to the collection of information for such purpose and to the term of our Privacy Policy, which may be updated from time to time. We tried it and haven’t looked back since. Quad conductor with braided shield, All-Purpose Professional Dynamic Vocal Microphone, Multi-Purpose Vocal and Instrument Dynamic Vocal Microphone, Premium Electret Condenser Vocal Microphone. -Paul Hager, Front of House, American Hi-Fi, “Our club has low ceilings and a loud band is even louder on our stage. It gives me a usable signal when other mics are unusable.” -John P. Overstreet, Head Sound Engineer, Middle East Nightclub, Boston, MA, “OM5’s are the main vocal mics of choice for us and we’ve used them for years with no problems!” The OM5’s indestructible casing is essential, given the unending wear and tear we put our gear through, and the wide dynamic range is perfect for the variety of vocalists we hand it to.” Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback, and ability to handle SPLs in excess of 144 dB without distortion. Select which newsletters you’d like to subscribe to below: We use cookies to personalize content and ads, to provide social media features, and to analyze our traffic. I know that when I use my OM5, the mix is going to sound perfect.” -Steve “Woody” La Cerra, Front of House, Blue Öyster Cult, “In addition to being a terrific sounding vocal mic, the OM5 has been my magic bullet when gain-before-feedback is an issue. Sign up to our mailing list to find out the latest news, updates, artists, and what we’re working on next. Home Specials Account Login Check … The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio. The mic is a lot likeBonnie – classy, consistent, and rock-solid every time.” The specified overall frequency range is 40Hz to 19kHz, and the sensitivity is slightly lower than that of the OM5, at 1.5mV/Pa at 1kHz. With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM™ (Very Low Mass) diaphragm for natural response, accurate sound reproduction, and exceptional transient response. For one, the very low mass diaphragm of the Audix OM5 yields a higher output and a very, very fast transient response, … OM5 has a tight, uniform hypercardioid pattern, with little to no rear lobe, and deep nulls at ±150°. The mic uses Audix’s VLM (very low mass) diaphragm, like the D-series dynamics. Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. If I’m a system engineer, it’s my first recommendation.” The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. -Adrian Cunningham, Front of House, Altan, “The warm low end, crisp highs, and clarity of the OM5 complements any vocal blend. Frequency Response: 40 Hz – 19 kHz: Polar Pattern: Hypercardioid: Output Impedance: 290 ohms: Sensitivity: 1.5 mV / Pa @ 1k: Capsule Technology: VLM Type D: Off-Axis Rejection >25 dB: Maximum SPL ≥144 dB : Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector Accessory – External foam windscreen for OM series, 25′ right angle XLR mic cable. Now I won’t play a show without it!” They’re reliable, consistent, and smoooooooth regardless of what PA system we’re using.” -Paul Middleton, Front of House, Bonnie Raitt, “From side rejection to gain before feedback to overall transparency, the OM-5 is consistently a winner. When I became a touring artist I realized I was going to have to learn how to preserve my voice if I wanted to have a long career. 1 x OM5 Vocal Microphone Please let us know! The tight pick-up pattern of the OM5 allows me to put the vocals out front in the mix without drawing in searing guitars and cymbal wash.” They’re handier than a Leatherman® and, oh yeah, they get LOUD!” -Dan Mortensen, Dansound, Seattle, WA, “I have been using the OM5 for about 10 years and continue to receive lots of compliments on my vocal sound. -Eugene ‘Gino’ Mulcahy, Lead Audio Engineer, Mohegan Sun Casino, “I have carried OM5’s with me since 1995 as a great ‘get out of jail free’ card for almost any vocal application. A midrange boost from 3 kHz upward helps vocals cut through the mix on stage. -Mark Frink, Live Sound Editor, Mix Magazine, “Alanis really helped pave the way for a new generation of female vocalists, and her OM5 has been there right from the beginning. If you love good sound, you’ll love Audix mics.” The OM5 has a frequency response from 48 Hz to 19,000 Hz, and tends to include all of the magical claims that Audix lauds on its microphones. The pattern narrows significantly above 4kHz. Rock-solid and built like a hammer. It is a completely unconventional mic with an extremely low output level, no transformer and a fairly flat frequency response without any mid-range vocal peak. -Jay Forrest, lead vocals, Hopesfall, “Even with BOC’s thick instrumentation, OM5’s help keep the vocals in front of the mix. Once I found the Audix OM5, I didn’t have to compete with the other instruments on stage anymore and found the clarity I was searching for. They give me a true, uncolored sound to work with as opposed to other mics that have a built-in sound that sometimes works, but most of the time doesn’t.” -Bad Assets, Jacksonville, FL. Alternative suggested uses are the same as for the OM5. I’m pleased to see that they’re showing up on lots of spec riders.” The microphone shall be the Audix OM5. Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion. Frequency Response: 50 Hz – 16 kHz: Polar Pattern: Hypercardioid: Output Impedance: 290 ohms: Sensitivity: 1.6 mV / Pa @ 1k: Capsule Technology: VLM Type B: Off-Axis Rejection >25 dB: Maximum SPL ≥140 dB: Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. 1 x MC1 Microphone Clip We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you’ve provided to them or that they’ve collected from your use of their services. The mic had the ability to provide more gain before feedback in the stage monitors than any other microphone (even to date).

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